I guess everyone has their own list of “Things To Do Before I Die”.
I was thrilled to clear one of the items off my list earlier this year…and that was to actually touch a Steinway concert grand (see here).
That was great.
The next thing I want to do is related to musicals.
I hope to be part of the creation of a musical before I die.
Y’know, for the longest time I’ve been telling myself that one day if I make it rich and have tons of money, I’d throw a bit of it into creating a musical.
As in, using the money to fund the production of a musical…cos you need (a lot of) money to put together a production, i.e. sets, props, costumes, venue rental, actors, dancers, musicians, stylists, stagehands, publicity, etc.
But lately, I’ve been thinking…why wait for a day which may never come? Why not just do something about it now?
I’ve recently been starting to get obsessed with the idea of writing a musical.
And the more I think about it, the more I’m certain that I want to write a musical…soon.
Definitely the songs, that’s for sure.
Now the issue is about the book.
I can’t write a libretto for nuts…or at least I’ve never bothered to try.
So should I find a librettist to work with, or should I just try my hand at writing the book as well? (That would be unchartered territory for me.)
There are pros and cons to it.
For example, where do I find a good librettist to work with?
I don’t know if it is easy to find a librettist to work with…a librettist that I’m comfortable working with and whom I have confidence in working with.
But I’ll come to a decision on that soon enough.
So anyway recently I’ve been trying to watch as many musicals as I can.
I’ve watched two in the last two weeks – “Lost in Transit” by MTL and “Beauty and the Beast” by W!ld Rice.
(I would have caught “Victor/Victoria” if I had the time, but alas I didn’t.)
The idea is to expose myself to as much musical theatre as possible.
And I’m currently devouring this excellent book I got from Amazon called “Writing Musical Theater” by Steven L. Rosenhaus and Allen Cohen.
Extremely informative. Very good book.
And I intend to revisit other excellent books I’ve read, such as “Writing the Broadway Musical” by Aaron Frankel and “The Musical Theatre Writer’s Survival Guide” by David Spencer.
They are all wonderful books which I highly recommend to anyone who is interested in writing for musical theatre.
(to be continued)
well, I guess, the most important thing is to get the storyline out first. A romance? Thriller? Tragedy? Comedy? Biography? etc. Where are the twists?
As practice, maybe 1 of the easiest way to do it would be an adaptation.
Yes, good point. The story is the most important of all. If the story is weak, then everything else is just fluff.
Being the type of person that I am, I would probably go for something that has to do more with love and romance. I don’t think I’d want to venture into thrillers or tragedies. (Tragedies don’t make for good musicals, in my opinion.)
Yes, you are very right. Adaptations are not only the easiest way to do it, but they are also one of the safest ways to do it. That’s why many legendary musicals were adaptations themselves, e.g. My Fair Lady, Oklahoma!, The Sound of Music, Les Miserables, Phantom of the Opera, etc.
Hey, now that you’ve posted this, it’s got my brain juices working for a storyline. =)
Cool! Do share with me one day. I’m also busy thinking of good storylines these few days…
All the best. I did it once (not the music but conceptualising the plot and writing the script). I’m not sure the memory was entirely pleasant. And the final product was quite different from my original vision! :p
[...] I touched on this in my previous part. [...]
Ah, I see. Thanks Elaine!
[...] I touched on this in my previous part. [...]